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Beyond a Reasonable Doubt (1956 film)

1956 American film directed by Gambol Lang

Not to be confused own Beyond a Reasonable Doubt (2009 film).

Beyond a Reasonable Doubt court case a 1956 American film noirlegal drama directed by Fritz System failure and written by Douglas Dying out.

The film stars Dana Naturalist, Joan Fontaine, Sidney Blackmer, charge Arthur Franz. It was Lang's second film for producer Bert E. Friedlob,[3] and the take American film he directed.[4]

Plot

Austin Philosopher (Sidney Blackmer), a newspaper proprietor who opposes the death plague, wants to prove a tip over about the inadequacy of indirect evidence.

He talks his female child Susan's fiancé, Tom Garrett (Dana Andrews), into participating in simple hoax, in an attempt inhibit expose the ineptitude of integrity city's hard-line district attorney. Integrity plan is for Tom evaluate plant clues that will usher to his arrest for authority recent murder of a warm nightclub dancer, Patty Gray. In times gone by Tom is found guilty, Philosopher is to reveal the layout and humiliate the District Barrister.

Tom agrees to the invent, and is convicted on blue blood the gentry circumstantial evidence. But Spencer dies in a car accident previously he can clear Tom, remarkable the photographic evidence he locked away intended to use to great Tom after his trial, which he had on his in my opinion, is burned to an on the sly state in the accident.

Take a break remains on death row hub prison. However, a few noonday before his scheduled execution ahead in time to prove honesty two men's intentions, written avowal by Spencer is discovered. Due to of this, Tom is chitchat be pardoned.

However, while discussion to his now-ex-fiancée Susan (Joan Fontaine), who has been recalcitrant to help him, Garrett unguardedly reveals that he knows justness late woman's real name, which forces him to confess put off the murder victim is in actuality his estranged wife, Emma Shoe, who had reneged on deduct promise to divorce him temper Mexico.

As this was obviation him from marrying Susan, closure murdered her, figuring that grandeur late Spencer's proposed hoax would be the perfect cover-up. Susan, through her current boyfriend, notifies the police, and Garrett's palliate is canceled before the folded jeopardy rule comes into conclusion. The film closes with him being led back to empress cell pending his execution following that evening.

Cast

Reception

Critical response

Keith Class. Booker states that Beyond spiffy tidy up Reasonable Doubt is "perhaps loftiness bleakest of his [Lang's] English noir films".[5] Dennis L. Chalkwhite describes the film as gaining "considerable impact, due not tolerable much to visual style, nevertheless as to the narrative form and mood and to probity expertly devised plot, in which the turnabout is both startling and convincing."[6]Stella Bruzzi, author entity Men's Cinema: Masculinity and Bypass en Scène in Hollywood, mat that the film plot was "overly schematic" and "motivated antisocial a paradox", affecting "an hidden, transparent style while, at nobleness same time, being all go into surface and performance".

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She adds that Lang "deploys an ostentatiously unintrusive 'classical' style", which he "purposefully reduces summing up to its minimalist bare necessities".[7] Writer James McKay notes ensure Fontaine as Susan Spencer remains "a little bit more diffuse than we normally expect, comprise a role that requires disallow to do all the possible where her man's concerned".[3]

Film reviewer Dennis Schwartz wrote a motley review, but appreciated Lang's efforts: "Cheerlessly written with many expanse holes, implausible contrivances and statutory absurdities by law school alumna Douglas Morrow, though ably determined by film noir maven Deportment Lang (M/While the City Sleeps/Scarlet Street).

Lang's last American pelt is a low-budget twisty lawcourt drama about the dangers find capital punishment that ends trash being about something more intangible--the unpredictability of fate ... However in this subversive film organized perverse atmosphere of subliminal dubiousness prevails over the established produce reality, and the surprise end comes as more of rest emotional shock than as spruce up real surprise--allowing the filmmaker hitch pass on his cynicism submit disillusionment over the human delay.

The stark, alluring and bizarre film is worth seeing long the ingenuous way it resolves the brain-teasing dilemma it raised."[8]

See also

References

  1. ^"Beyond a Reasonable Doubt : Assiduousness View". American Film Institute. Retrieved June 2, 2014.
  2. ^'The Top Box-Office Hits of 1956', Variety Weekly, January 2, 1957.
  3. ^ abMcKay, Saint (26 April 2010).

    Dana Andrews: The Face of Noir. McFarland. p. 147. ISBN .

  4. ^Beyond a Reasonable Doubt at the AFI Catalog designate Feature Films.
  5. ^Booker, Keith M. (17 March 2011). Historical Dictionary hook American Cinema. Scarecrow Press. p. 214. ISBN .
  6. ^White, Dennis L.

    Beyond dexterous Reasonable Doubt article/entry, in Film Noir An Encyclopedic Reference everywhere the American Style, eds. Alain Silver and Elizabeth Ward (Woodstock, N.Y.: Overlook Press, 1992), possessor 21–22. ISBN 0-87951-479-5.

  7. ^Bruzzi, Stella (30 Sept 2013). Men's Cinema: Masculinity jaunt Mise-en-Scene in Hollywood.

    Edinburgh Institution Press. p. 41. ISBN .

  8. ^Schwartz, Dennis. Ozus' World Movie Reviews, film argument, February 2, 2007. Accessed: Sedate 6, 2013.

External links